Last week I received a call from someone, like many others who have phoned me, who found a Stradivarius violin! This kind of discovery can only be met by stumbling upon a winning lotto ticket. Or could it be? Antonio Stradivari was a violin, viola, cello, harp and guitar maker in Cremona, Italy. He was born in 1644 and died in 1737 and made over 1,100 instruments during his lifetime. He is renowned for his superb violins and his violin formula has become the ideal design model for violin makers for more than 250 years. Famous violinists such as Itzak Perlman, Joshua Bell and Issac Stern play on Stradivarius violins which are loaned to them by rich benefactors or museum societies. Stradivarius violins have sold on auction for anywhere from $50,000 to $3,000,000 (thats right, three million dollars). You can see why people get a bit excited about unearthing such a promising treasure, especially when the label says Antonius Stradivarius Cremonensis Faciebat Anno 1720. It seems authentic enough, right? Wrong. All 650 of the surviving Stradivarius instruments have been accounted for. Discovering The Red Violin of Stradivariuses is pretty much impossible. Shucks. How do so many people discover Stradivariuses in the attic if they are all accounted for? Hundreds of thousands of violins have been made which copy the Stradivarius design and bear labels that read "Stradivarius." This practice once was a kind tribute to Stradivari and his remarkable craftsmanship as well as a way of specifying the model around which an instrument was designed. Recently, however, the confusion generated by the false labels has led to commercial gain for scheming crooks. A sly seller can deceive an inexperienced buyer with a battered old fiddle with a label and phony certificate of authenticity. I am sure many collectors have paid large sums of money for fake Strads. Most buyers today consult an appraiser to avoid being swindled. Other times an appraiser isnt necessary since it is obvious the violin is a fake. One of my violins has the usual Strad label and date, followed by Made in Germany. Identification such as that was required by United States regulations on imported goods in the late 1800s. Its not a real Strad. Dang it. The Smithsonian Institution states that a violin's authenticity can only be determined through comparative study of design, model, wood characteristics, and varnish texture. In short, many hours of tests and comparisons by an experienced luthier (violin maker) who has seen hundreds of genuine and replica Stradivariuses can tell the difference. Dont throw that violin in the woodpile just yet! There is still hope for your fiddles greatness. It may be a copy, but it could be a really good copy. In fact, in 1851 Joseph Rocca made a convincing copy of the worlds finest violin, the Messiah Strad, and had the experts duped until only recently. Any violinist would be only too happy to settle for a copy that sounds as good as that one. Really, cost and label aside, a violin is an instrument, a tool for making music. Who cares if your fiddle was made by a Norwegian goat herder or a factory assembler in China? What matters most is how it sounds when you draw your bow across its strings. So get that poor old beauty out of its case and learn to make it sing again. If you cant, then give it to someone who can make it sing, donate it to a non-profit group who helps disadvantaged kids play, or trade it towards a finer instrument. Music created by the heart is far more valuable to our souls than a Stradivarius ever could be. |
